In this book, there are many conflicts All these things happen simultaneously in Brisingr. Still, I never get lost reading it, not even with the three made up languages that are included in the dialogue and spells.
""Casting back her head, Arya gazed up at the twinkling sky, her long neck gold with firelight, her face pale with the radiance of the heavenx. "Do you ask out of friendly concern or your own self-interest?" She gave an abrupt, choked laugh, the sound of water falling over cold rocks. "Never mind. The night air has addled me. It has undone my sense of courtesy and left me free to say the most spiteful things that occur to me." "No matter." "It does matter, because I regret it, and I shall not tolerate it. Did I love Faolin? How would you define love? For over twenty years, we traveled together, the only immortals to walk among the short-lived races. We were companions...and friends."Brisingr was written in a unique way. It was written sometimes in a more precise way of speech and then in other times, a more casual way. Paolini uses casual speaking to describe while using precise speech for when characters talk. The characters are especially enticing and of course, Eargon, the main character is the most enticing of all. One major conflict that Paolini builds up to but doesn't really address in this book is Eargon's struggle with not being able to kill. Eargon learns that everything has life. In the midst of battle, he feels sympathy for either Thorn, the dragon, or the soliders he is fighting. He can come in contact with their "being" or their conscious and can feel what they feel. He refuses to take a life unless absolutely necessary which had already caused issues for him. I'm curious to know what will happen with that.
No comments:
Post a Comment